TY - JOUR
T1 - Outward-sensitive phonologically-conditioned suppletive allomorphy vs. first-last tone harmony in Cilungu
AU - Rolle, Nicholas
AU - Bickmore, Lee
N1 - Publisher Copyright:
© 2022, The Author(s).
PY - 2022/5
Y1 - 2022/5
N2 - We present a case study of grammatical tone allomorphy in Cilungu (Bantu). Tense/Aspect/Mood designations (TAMs) are realized via co-exponence of prefixes, suffixes, and floating tones. In a minority of TAMs, there is allomorphy with the floating tones. For example, in the Recent Past one allomorph involves floating tone targeting the final mora of the stem ([InlineEquation not available: see fulltext.]) versus one targeting the stem’s second mora ([InlineEquation not available: see fulltext.]2). For all such allomorphic TAMs, the alternation is conditioned by the tone of subject agreement markers (SMs) at the left edge of the word. If the SM is high-toned the [InlineEquation not available: see fulltext.] variant occurs, but if it is toneless then [InlineEquation not available: see fulltext.]2 occurs. We present two competing accounts of these data. Under a morphological account, we posit contextual realizational rules with multiple suppletive exponents conditioned by SM tone. In contrast, under a phonological account a ‘first-last tone harmony’ applies here, morphologically restricted to the context of SMs with a small set of TAMs. Such a harmony rule captures a generalization of these alternations: if the SM is high at the left edge then there is a grammatical high at the right edge, but if the left edge is toneless then grammatical tone does not fall on the right edge. We present several arguments in favor of the morphological analysis (suppletion) over a phonological one (harmony). Specifically, the patterns are not subject to phonological locality, other TAMs involving similar tone patterns are not subject to this harmony, and the proposed first-last tone harmony would be a highly phonologically-unnatural rule with little cross-linguistic support, and exceeding the computational properties of all well-known and established phonological operations. We conclude by discussing a major theoretical implication of the morphological account: this constitutes outward-sensitive phonologically-conditioned suppletive allomorphy, standardly argued to be unattested and/or impossible. Ultimately, we hold that under either account Cilungu presents a novel and important contribution to linguistic theory.
AB - We present a case study of grammatical tone allomorphy in Cilungu (Bantu). Tense/Aspect/Mood designations (TAMs) are realized via co-exponence of prefixes, suffixes, and floating tones. In a minority of TAMs, there is allomorphy with the floating tones. For example, in the Recent Past one allomorph involves floating tone targeting the final mora of the stem ([InlineEquation not available: see fulltext.]) versus one targeting the stem’s second mora ([InlineEquation not available: see fulltext.]2). For all such allomorphic TAMs, the alternation is conditioned by the tone of subject agreement markers (SMs) at the left edge of the word. If the SM is high-toned the [InlineEquation not available: see fulltext.] variant occurs, but if it is toneless then [InlineEquation not available: see fulltext.]2 occurs. We present two competing accounts of these data. Under a morphological account, we posit contextual realizational rules with multiple suppletive exponents conditioned by SM tone. In contrast, under a phonological account a ‘first-last tone harmony’ applies here, morphologically restricted to the context of SMs with a small set of TAMs. Such a harmony rule captures a generalization of these alternations: if the SM is high at the left edge then there is a grammatical high at the right edge, but if the left edge is toneless then grammatical tone does not fall on the right edge. We present several arguments in favor of the morphological analysis (suppletion) over a phonological one (harmony). Specifically, the patterns are not subject to phonological locality, other TAMs involving similar tone patterns are not subject to this harmony, and the proposed first-last tone harmony would be a highly phonologically-unnatural rule with little cross-linguistic support, and exceeding the computational properties of all well-known and established phonological operations. We conclude by discussing a major theoretical implication of the morphological account: this constitutes outward-sensitive phonologically-conditioned suppletive allomorphy, standardly argued to be unattested and/or impossible. Ultimately, we hold that under either account Cilungu presents a novel and important contribution to linguistic theory.
KW - Allomorphy
KW - Bantu
KW - Grammatical tone
KW - Harmony
KW - Morphological directionality
KW - Outward sensitivity
KW - Suppletion
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U2 - 10.1007/s11525-022-09391-3
DO - 10.1007/s11525-022-09391-3
M3 - Article
AN - SCOPUS:85126023896
SN - 1871-5621
VL - 32
SP - 197
EP - 247
JO - Morphology
JF - Morphology
IS - 2
ER -