Musical offerings in the Renaissance

Rob C. Wegman

doi:10.1093/em/cah102

Musical offerings in the Renaissance

Rob C. Wegman

Music

Research output: Contribution to journal › Article › peer-review

19 Scopus citations

Abstract

This article offers a model for the creation and circulation of musical compositions before the time they began to be treated as marketable goods (c.1470-1500). The model is that of the gift economy. The ramifications of the practice of musical gift exchange in the late Middle Ages are far-reaching, extending to issues of musical aesthetics and sociology.

Original language	English (US)
Pages (from-to)	425-438
Number of pages	14
Journal	Early Music
Volume	33
Issue number	3
DOIs	https://doi.org/10.1093/em/cah102
State	Published - 2005

All Science Journal Classification (ASJC) codes

Music

Keywords

Music and aesthetics
Music and sociology
Music book
Musical gift exchange
Renaissance music

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10.1093/em/cah102

Cite this

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abstract = "This article offers a model for the creation and circulation of musical compositions before the time they began to be treated as marketable goods (c.1470-1500). The model is that of the gift economy. The ramifications of the practice of musical gift exchange in the late Middle Ages are far-reaching, extending to issues of musical aesthetics and sociology.",

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AB - This article offers a model for the creation and circulation of musical compositions before the time they began to be treated as marketable goods (c.1470-1500). The model is that of the gift economy. The ramifications of the practice of musical gift exchange in the late Middle Ages are far-reaching, extending to issues of musical aesthetics and sociology.

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KW - Music and sociology

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KW - Musical gift exchange

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Musical offerings in the Renaissance

Abstract

All Science Journal Classification (ASJC) codes

Keywords

Access to Document

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