Abstract
The groundbreaking TV series The Sopranos features many literary references, several of them from French authors. Among these, Proust holds a special place. Not only does Proust become an explicit “model” for its protagonist, Tony Soprano—the New Jersey mafia boss who struggles with mental health and seeks the help of a psychiatrist—but the entire sequence, if not the full episode, resembles a pastiche of La Recherche. What is Proust, described as the author of a “classic,” doing in an American “mainstream” crime TV show? And what does his presence reveal about the relationship between “high art” and “popular culture,” a notion that Proust himself objected to?.
| Original language | English (US) |
|---|---|
| Pages (from-to) | 82-97 |
| Number of pages | 16 |
| Journal | Contemporary French and Francophone Studies |
| Volume | 29 |
| Issue number | 1 |
| DOIs | |
| State | Published - 2025 |
All Science Journal Classification (ASJC) codes
- Cultural Studies
- History
- Visual Arts and Performing Arts
- Literature and Literary Theory
Keywords
- adaptation
- feuilletons
- mafia
- psychanalyse
- Séries
- television