Abstract
Japanese export lacquer was enmeshed in a complex network of commercial and artistic relations. Raw materials were brought from Southeast Asia to Japan, where finished lacquerware was made for export. Japanese export lacquer adapted Chinese and Indian decorative techniques, as well as European designs for motifs, forms, and functions. Chinese or Ryukyuan junks along with Spanish, Portuguese, and Dutch ships carried lacquer to places in Asi, Europe, and the Americas, where it was adopted and emulated. Lacquer thus provides a prime example of an art of mediation that involved Europeans and Asians in processes of circulation in the global history of art.
| Original language | English (US) |
|---|---|
| Title of host publication | Art, Trade, and Cultural Mediation in Asia, 1600–1950 |
| Publisher | Palgrave Macmillan |
| Pages | 13-42 |
| Number of pages | 30 |
| ISBN (Electronic) | 9781137572370 |
| ISBN (Print) | 9781137572363 |
| DOIs | |
| State | Published - Jan 1 2018 |
All Science Journal Classification (ASJC) codes
- General Economics, Econometrics and Finance
- General Business, Management and Accounting
- General Arts and Humanities
- General Social Sciences
Keywords
- Art history
- Global trade
- Inter-Asian trade
- Japan
- Lacquerware