TY - JOUR
T1 - Introduction
T2 - Warburg's library and its legacy
AU - Grafton, Anthony
AU - Hamburger, Jeffrey F.
AU - Mack, Peter
AU - Baxandall, Michael
AU - Sears, Elizabeth
AU - Didi-Huberman, Georges
AU - Ginzburg, Carlo
AU - Koerner, Joseph Leo
AU - Wood, Christopher S.
AU - Kraye, Jill
AU - Steinberg, Michael P.
AU - Van Eck, Caroline
AU - Anderson, Christy
AU - Kaufmann, Thomas Da Costa
AU - Crossley, Paul
AU - Stafford, Barbara Maria
PY - 2012/12
Y1 - 2012/12
N2 - In this introduction to a Common Knowledge special issue on the Warburg Institute, the authors argue that the Institute remains today - as it has been, in different forms, for almost a century - one of Europe's central institutions for the study of cultural history. At once a rich and uniquely organized library, a center for doctoral and postdoctoral research, and a teaching faculty, the Institute was first envisioned by Aby Warburg, a pioneering historian of art and culture from a wealthy Jewish family in Hamburg. Warburg rejected the traditional view that the classical tradition was a simple, purely rational Greek creation, inherited by modern Europe. He argued that it was as much Mesopotamian as Greek in origin, as at home in the Islamic as in the European world, and as often irrational as rational in its content - and on the basis of this rich vision he devised brilliant new interpretations of medieval and Renaissance symbols and ideas. Warburg's chosen associate Fritz Saxl put his creation on a firm institutional base, first in Hamburg and then, after a narrow escape from the Nazi regime, in London. For all the changes the Institute has undergone over the decades since then, it continues to ask the questions that Warburg was the first to raise and to build on the methods that he created.
AB - In this introduction to a Common Knowledge special issue on the Warburg Institute, the authors argue that the Institute remains today - as it has been, in different forms, for almost a century - one of Europe's central institutions for the study of cultural history. At once a rich and uniquely organized library, a center for doctoral and postdoctoral research, and a teaching faculty, the Institute was first envisioned by Aby Warburg, a pioneering historian of art and culture from a wealthy Jewish family in Hamburg. Warburg rejected the traditional view that the classical tradition was a simple, purely rational Greek creation, inherited by modern Europe. He argued that it was as much Mesopotamian as Greek in origin, as at home in the Islamic as in the European world, and as often irrational as rational in its content - and on the basis of this rich vision he devised brilliant new interpretations of medieval and Renaissance symbols and ideas. Warburg's chosen associate Fritz Saxl put his creation on a firm institutional base, first in Hamburg and then, after a narrow escape from the Nazi regime, in London. For all the changes the Institute has undergone over the decades since then, it continues to ask the questions that Warburg was the first to raise and to build on the methods that he created.
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U2 - 10.1215/0961754X-1456845
DO - 10.1215/0961754X-1456845
M3 - Review article
AN - SCOPUS:84856068976
SN - 0961-754X
VL - 18
SP - 1
EP - 16
JO - Common Knowledge
JF - Common Knowledge
IS - 1
ER -