Abstract
Across the early modern Iberian world, a unique form of infamy materialized in the sambenito. Mostly known as the penitential garment imposed by the Inquisition on the individuals it condemned, the sambenito was also exhibited in churches and monasteries as a monument of infamy. This article traces the origins, development, and decline of the sambenito, with a particular focus on its material and visual aspects. It argues that displayed sambenitos performed mnemonic and evidentiary roles in societies obsessed with genealogy, while also bringing to light the continuous resistance and opposition to the sambenito on the ground.
| Original language | English (US) |
|---|---|
| Pages (from-to) | 389-441 |
| Number of pages | 53 |
| Journal | Renaissance Quarterly |
| Volume | 77 |
| Issue number | 2 |
| DOIs | |
| State | Published - 2024 |
All Science Journal Classification (ASJC) codes
- History
- Visual Arts and Performing Arts
- Literature and Literary Theory
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