TY - JOUR
T1 - Impact of the 2020 crises on the arts and culture in the United States
T2 - The effect of COVID-19 and the Black Lives Matter movement in historical context
AU - Katz, Stanley N.
AU - Reisman, Leah
N1 - Publisher Copyright:
© 2020 Cambridge University Press. All rights reserved.
PY - 2020/11
Y1 - 2020/11
N2 - This article discusses the impact of the COVID-19 pandemic and the Black Lives Matter movement on the arts and cultural sector in the United States, placing the 2020 crises in the context of the United States's historically decentralized approach to supporting the arts and culture. After providing an overview of the United States's private, locally focused history of arts funding, we use this historical lens to analyze the combined effects of the pandemic and Black Lives Matter movement on a single metropolitan area - Philadelphia, Pennsylvania. We trace a timeline of key events in the national and local pandemic response and the reaction of the arts community to the Black Lives Matter movement, arguing that the nature of these intersecting responses, and their fallout for the arts and cultural sector, stem directly from weaknesses in the United States's historical approach to administering the arts. We suggest that, in the context of widespread organizational vulnerability caused by the pandemic, the United States's decentralized approach to funding culture also undermines cultural organizations' abilities to respond to issues of public relevance and demonstrate their civic value, threatening these organizations' legitimacy.
AB - This article discusses the impact of the COVID-19 pandemic and the Black Lives Matter movement on the arts and cultural sector in the United States, placing the 2020 crises in the context of the United States's historically decentralized approach to supporting the arts and culture. After providing an overview of the United States's private, locally focused history of arts funding, we use this historical lens to analyze the combined effects of the pandemic and Black Lives Matter movement on a single metropolitan area - Philadelphia, Pennsylvania. We trace a timeline of key events in the national and local pandemic response and the reaction of the arts community to the Black Lives Matter movement, arguing that the nature of these intersecting responses, and their fallout for the arts and cultural sector, stem directly from weaknesses in the United States's historical approach to administering the arts. We suggest that, in the context of widespread organizational vulnerability caused by the pandemic, the United States's decentralized approach to funding culture also undermines cultural organizations' abilities to respond to issues of public relevance and demonstrate their civic value, threatening these organizations' legitimacy.
UR - http://www.scopus.com/inward/record.url?scp=85106165295&partnerID=8YFLogxK
UR - http://www.scopus.com/inward/citedby.url?scp=85106165295&partnerID=8YFLogxK
U2 - 10.1017/S0940739120000326
DO - 10.1017/S0940739120000326
M3 - Article
AN - SCOPUS:85106165295
SN - 0940-7391
VL - 27
SP - 449
EP - 465
JO - International Journal of Cultural Property
JF - International Journal of Cultural Property
IS - 4
ER -