Osman Khan's performative sculpture Come Hell or High Water both evokes and disrupts images of Detroit's crumbling residential infrastructure. In so doing, the piece focuses attention on the home as a site of Fordist desire for a secure middle-class life, and the Fordist bargain itself as an object of attachment.
|Original language||English (US)|
|Number of pages||11|
|Journal||TDR - The Drama Review - A Journal of Performance Studies|
|State||Published - Dec 19 2014|
All Science Journal Classification (ASJC) codes
- Visual Arts and Performing Arts
- Literature and Literary Theory