Domestic(-ated) desires, Tanked City

Research output: Contribution to journalReview articlepeer-review

3 Scopus citations


Osman Khan's performative sculpture Come Hell or High Water both evokes and disrupts images of Detroit's crumbling residential infrastructure. In so doing, the piece focuses attention on the home as a site of Fordist desire for a secure middle-class life, and the Fordist bargain itself as an object of attachment.

Original languageEnglish (US)
Pages (from-to)12-22
Number of pages11
JournalTDR - The Drama Review - A Journal of Performance Studies
Issue number4
StatePublished - Dec 19 2014

All Science Journal Classification (ASJC) codes

  • Visual Arts and Performing Arts
  • Literature and Literary Theory


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