Abstract
Osman Khan's performative sculpture Come Hell or High Water both evokes and disrupts images of Detroit's crumbling residential infrastructure. In so doing, the piece focuses attention on the home as a site of Fordist desire for a secure middle-class life, and the Fordist bargain itself as an object of attachment.
| Original language | English (US) |
|---|---|
| Pages (from-to) | 12-22 |
| Number of pages | 11 |
| Journal | TDR - The Drama Review - A Journal of Performance Studies |
| Volume | 58 |
| Issue number | 4 |
| DOIs | |
| State | Published - Dec 19 2014 |
All Science Journal Classification (ASJC) codes
- Visual Arts and Performing Arts
- Literature and Literary Theory