Deleuze, adorno a kompozice hudební mnohosti

Translated title of the contribution: Deleuze, adorno, and the composition of musical multiplicity

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This text, first published in Deleuze and Music, edited by Ian Buchanan and Marcel Swiboda (Edinburgh: Edinburgh University Press, 2004), pp. 54–74, Nick Nesbitt compares Theodor W. Adorno’s negative dialectical approach with Gilles Deleuze’s anti-dialectical approach to the question of multiplicity and differentiation within music. Nesbitt concludes with a consideration of the attempts made to address the problem in the work of important twentieth-century musicians, particularly that of John Coltrane. The Czech translation here is by Marta Martinová and Michal Jurza.

Translated title of the contributionDeleuze, adorno, and the composition of musical multiplicity
Original languageCzech
Pages (from-to)55-75
Number of pages21
Issue number1
StatePublished - 2018

All Science Journal Classification (ASJC) codes

  • Sociology and Political Science
  • History
  • Philosophy


  • Gilles Deleuze
  • John Coltrane
  • Multiplicity
  • Philosophy of music
  • Theodor W. Adorno


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