Deleuze, adorno a kompozice hudební mnohosti

This text, first published in Deleuze and Music, edited by Ian Buchanan and Marcel Swiboda (Edinburgh: Edinburgh University Press, 2004), pp. 54–74, Nick Nesbitt compares Theodor W. Adorno’s negative dialectical approach with Gilles Deleuze’s anti-dialectical approach to the question of multiplicity and differentiation within music. Nesbitt concludes with a consideration of the attempts made to address the problem in the work of important twentieth-century musicians, particularly that of John Coltrane. The Czech translation here is by Marta Martinová and Michal Jurza.