@article{1d0176c8454b4b89a7707f9aff9ec14f,
title = "Cross-cultural work in music cognition: Challenges, insights, and recommendations",
abstract = "MANY FOUNDATIONAL QUESTIONS IN THE psychology of music require cross-cultural approaches, yet the vast majority of work in the field to date has been conducted with Western participants and Western music. For cross-cultural research to thrive, it will require collaboration between people from different disciplinary backgrounds, as well as strategies for overcoming differences in assumptions, methods, and terminology. This position paper surveys the current state of the field and offers a number of concrete recommendations focused on issues involving ethics, empirical methods, and definitions of {"}music{"} and {"}culture.{"}.",
keywords = "Cross-cultural, Ethnomusicology, Methods, Music, Psychology",
author = "Nori Jacoby and Margulis, {Elizabeth Hellmuth} and Martin Clayton and Erin Hannon and Henkjan Honing and John Iversen and Klein, {Tobias Robert} and Mehr, {Samuel A.} and Lara Pearson and Isabelle Peretz and Marc Perlman and Rainer Polak and Andrea Ravignani and Savage, {Patrick E.} and Gavin Steingo and Stevens, {Catherine J.} and Laurel Trainor and Sandra Trehub and Michael Veal and Melanie Wald-Fuhrmann",
note = "Funding Information: We would like to acknowledge the Max Planck Institute for Empirical Aesthetics and the institute{\textquoteright}s directors, Melanie Wald-Fuhrmann and David Poeppel, for generously funding this workshop. Partial support was provided by NSF grant BCS-1734025 to author E. H. M.; a Japan Society for the Promotion of Science grant 19KK0064 and Keio Global Research Institute Startup Grant to authors P. E. S., N. J., and E. H. M.; European Union{\textquoteright}s Horizon 2020 research and innovation programme under the Marie Sk{\l}odowska-Curie grant agreement No. 665501 with the Research Foundation Flanders (FWO), Pegasus2 Marie Curie fellowship 12N5517N to author A. R.; and the Harvard Data Science Initiative to author S. A. M. Publisher Copyright: {\textcopyright} 2020 BY THE REGENTS OF THE UNIVERSITY OF CALIFORNIA ALL RIGHTS RESERVED.",
year = "2020",
month = feb,
day = "1",
doi = "10.1525/MP.2020.37.3.185",
language = "English (US)",
volume = "37",
pages = "185--195",
journal = "Music Perception",
issn = "0730-7829",
publisher = "University of California Press",
number = "3",
}