Abstract
This afterword uses the work of artist Patricia Kaersenhout and Black feminist scholars to reflect on the implications of working with colonial archives and their forms of erasure.
| Original language | English (US) |
|---|---|
| Pages (from-to) | 176-180 |
| Number of pages | 5 |
| Journal | Atlantic Studies : Global Currents |
| Volume | 19 |
| Issue number | 1 |
| DOIs | |
| State | Published - 2022 |
All Science Journal Classification (ASJC) codes
- Cultural Studies
- History
- Literature and Literary Theory
Keywords
- Art history
- Caribbean art
- black diaspora art
- black feminism
- black studies
- colonial visual culture